Since 1973 "Jazz Dance with Class"

Jazz & Tap Dance Festival

 

 

 

What is the Jazz & Tap Dance Festival?

The Jazz & Tap Dance Festival is a dance revue with pieces performed by 7-9 companies each year.  Dancin’ Unlimited produces the show to celebrate the vitality and breadth of jazz, tap, and hip-hop dance at this unique Washington area event.  The annual Festival features the artistic achievements of the dancers with the exciting new creations of their choreographers.  This festival is not a recital.  These are advanced and professional dancers performing in a theatrical setting with lots of …  lights – music – action!

Back to top

Why is the Jazz & Tap Dance Festival so unique?

The Jazz & Tap Dance Festival is the longest running dance festival in Northern Virginia!  It  has survived the test of time.  Most dance festivals in the area are less than 10 years old.  The Festival has lots of variety and generates enthusiasm for “show” dance forms – jazz, tap, hip hop. 

Back to top

 

When/Where is the next Jazz & Tap Dance Festival?

The 26th Annual Jazz & Tap Dance Festival is on Saturday, March 3rd at 8:00 P.M. and Sunday, March 4th at 4:00 PM at the Northern Virginia Community College (NVCC), Annandale Campus theatre.  The NVCC Annandale Campus theatre is located at 8333 Little River Turnpike, Annandale, VA; and is convenient to Rt 495 Beltway Exit 52-A.

Back to top

How do I buy tickets for the festival?

Tickets are $20 in advance and $22 at the door.  For tickets and information, click on the Festival tab on this website, or contact any of the participating dance organizations:  Dancin’ Unlimited, Encore Performers, Center Stage Dance Company, Capitol Movement, MetroTap, Impulse, and, MYTE.  Discounts are available online.  The Festival is supported and funded in part by the Arts Council of Fairfax County. 

Back to top

 

May I come to a dress rehearsal?

The dress rehearsal is primarily to conduct a preliminary run through of the program and for the dancers to see each other.  If you have a special group, however, such as a scout or church group, arrangements can be made for them to see the dress rehearsal.  Dancin’ Unlimited wants to provide opportunities for exposure to the dance arts. 

Back to top

 

Who produces the J&T Dance Festival? 

Dancin’ Unlimited, a professional jazz dance company in Northern Virginia, produces the Festival as an annual community dance arts effort.  Two other dance companies have been consistent collaborators through the years:  Center Stage Dance Company, which focuses on tap dance, and Encore Theatrical Arts Project, which focuses on musical theatre. 

Back to top

 

Who is Dancin’ Unlimited?

Dancin’ Unlimited, which began in 1973, is the only professional jazz dance company in Northern Virginia with a focus on both concert and musical theatre jazz dance. Marilyn York, the artistic director, produces new and exciting programs each year with an emphasis on artistic excellence, broad variety and professionalism. Their repertoire ranges from classical jazz dance to hip-hop, from the Big Band era dance to Broadway.  Company dancers are all classically trained in ballet and modern as well as jazz dance.  Several are dance instructors in the Northern Virginia area; several have college degrees in dance and have performed in a wide range of venues.  Dancin’ Unlimited is a non profit arts organization, a member of the Arts Council of Fairfax County for many years and a founding member of the Fairfax County Dance Coalition. 

Back to top

 

Why does Dancin’ Unlimited keep producing the Festival?

The Jazz & Tap Dance Festival is part of Dancin’ Unlimited’s commitment to bring the art of concert and musical theatre jazz dance to the community.  The Festival provides a venue to showcase jazz dance separate from traditional ballet and modern dance.  Jazz dance is very entertaining.  It’s just plain fun.  It attracts audiences not accustomed to seeing dance shows to the dance arts.  The production effort promotes artistic cooperation/collaboration among the participating companies.  Dancers build their network and are inspired by each other to continue their training.  Participation improves their skills and artistic talent. 

Back to top

 

When did the Festival start?

The Jazz & Tap Dance Festival started in 1986.  The inspiration for the festival first came to Marilyn York in the early days of Dancin' Unlimited, then known as the Virginia Dance Theatre. The group presented concerts in a cabaret format, interspersing different musical acts among their own numbers in order to give the dancers a chance to catch their breath. In 1986, York decided to make the jump to an exclusively dance-oriented program. With the help of a $2,000 contribution from former Stein's Theatrical and Dance Supply in Arlington, York was able to organize the very first Jazz & Tap Dance Festival.

Back to top

 

Why should I come to the Festival?  What will I see?

The Festival presents fresh jazz, tap and hip hop dance material each year.  If you are new to the dance arts, these dance styles are energetic and entertaining.  Audiences tell us that the variety of dance numbers, enthusiasm and professionalism of the program keeps them coming back.  The Festival honors classic and concert jazz technique, our indigenous American dance style that’s become integrated into Broadway dance and the wide range of popular entertainment venues.   

Back to top

 

Do the same companies participate each year?

Four to five of the companies tend to participate each year, which means that the audience can follow their favorites.  Three to four of the companies are new or rotate each year.  The structure of the show is similar year to year, but the material is fresh and new.   Dancin’ Unlimited rotates presentation of some repertoire pieces every 3-5 years.  The choreography for these pieces has been recognized at the Giordano Jazz Dance World Congress several times. 

Back to top

What is jazz dance?

As a general term, jazz dance encompasses such a dizzying range of styles and eras that it is nearly impossible to pinpoint. Originating from West African musical tradition, jazz dance has grown from the streets of New Orleans to Vaudeville to Broadway musical theatre to the jazz concert stage.  Jazz has evolved over the 20th century to include the lively Lindy Hop, the sleek stylings of musical theater legend Bob Fosse, and the hip-hop of today’s hot young artists.

 For Marilyn York, the main focus of her career has been the “classic” approach to jazz dance.  Classic jazz technique borrows heavily from the fluid lines of ballet, featuring broad, grounded movements and captivating music. Though it demands years of training, jazz allows dancers more freedom to showcase their personalities.  Quality jazz dance is timeless.  As a living artistic history, jazz dance stems from the heart of a nation never at rest.  Kinetic yet fluid, technically acute yet hugely entertaining, jazz dance generates communal energy.  Jazz dance is always fresh, reflecting a mixture of popular musical culture with its traditions of liberation and empowerment. 

Back to top

Why Jazz Dance?  What makes Jazz Dance Different?

Jazz dance is distinctly American.  Jazz dance is uplifting, exciting and fun.  It tends to get people moving in their seats, and the dancers feed off their energy.  The audience becomes part of the show.  They are “engaged” in the dance and follow the movement closely, alert and ready for each next dance phrase.  Young dancers are inspired by the jazz dance performance energy and fun.  They are exposed to American music since the big band era. 

Back to top

Why live dance performance? 

Dance as an art is unique each time the choreography is performed.  When the piece is over, the art is past, it is history.  Dancers present themselves to the audience and then react to the audience involvement.  Because jazz dance is so engaging, the live performance is an intense experience.

Back to top

 

Who is Marilyn York?  How did she get started?  **

As the artistic director of Dancin’ Unlimited, Marilyn York has been bringing first class jazz dance to the Washington Metropolitan Area for over thirty years. Her experiences as an artistic director, performer, instructor and choreographer attest to her unwavering resolve. With her keen attention to detail and no-nonsense management style, York devotes herself to improving the quality and visibility of jazz dance. 

 

Like many aspiring performers, York’s interest in dance was first sparked by the charm of classic Gene Kelly films. She began taking dance classes at age eleven in a satellite studio of the Washington Ballet.  York studied ballet for nearly six years, until pure chance introduced her to the dance style that would become her passion.  When York was seventeen, the Washington Ballet's main studio offered a jazz master class taught by choreographer Wally Saunders, a Baltimore native. York took the class on a whim, and found that the movement came naturally. 

 

After that first fateful class, York jumped at every opportunity to further her jazz dance education. In addition to Saunders, York trained with Nilo Toledo in Georgetown, as well as jazz icons Gus Giordano, Luigi, Frank Hatchett, and Phil Cole. She even attended the first Jazz Dance World Congress in 1990, where she was able to fully immerse herself in the unique form that she had quickly grown to love. 

In the mid-1970s, York started doing guest performances for a local nonprofit group called the Dance Theatre Company of Northern Virginia. When director Robert Thoma left the company in 1976, he offered York the chance to take over his position. York accepted the directorship and changed the name to Virginia Jazz Theatre and later Dancin’ Unlimited. In the process, she took on a challenging trifecta of responsibilities: directing, choreographing and performing in her own company. 

** These are sections of a recent article published by Fairfax Woman magazine, “Northern Virginia’s Jazz Dance Treasure,” January/February 2011, by Sarah Anne Sillers.  For the entire article, go to the link:  http://s3.amazonaws.com/fairfaxwoman/docs/9/original.pdf  

Back to top

 

 

 

Home

 

This text will be replaced by the flash music player.